Publications

  • Cambouropoulos, E. and Tsougras C. (2009)
    Auditory Streams in Ligeti's Continuum: A Theoretical and Perceptual Approach.
    Journal of Interdisciplinary Music Studies, 3(1&2): 119-137 (PDF)
  • Cambouropoulos, E. (2009)
    How Similar is Similar?
    Musicae Scientiae, Discussion Forum 4B: 7-24. (PDF)
  • Rafailidis, D., Cambouropoulos, E. and Manolopoulos, Y. (2009)
    Musical Voice Integration/Segregation: VISA Revisited.
    In Proceedings of the 6th Sound and Music Computing Conference (SMC09), Porto, Portugal. (PDF)
  • Cambouropoulos, E. (2008)
    Voice and Stream: Perceptual and Computational Modeling of Voice Separation.
    Music Perception, 26(1):75-94. (PDF)
  • Rafailidis, D., Nanopoulos, A., Cambouropoulos, E. & Manolopoulos, Y. (2008)
    Detection of Stream Segments in Symbolic Musical Data.
    In Proceedings of the International Conference on Music Information Retrieval (ISMIR08), Philadelfia, Pennsylvania, U.S.A. (PDF)
  • Cambouropoulos, E. & Tsougras, C. (2008)
    Auditory Streams in Ligeti's Continuum: A theoretical and perceptual study.
    In Proceedings of the Fourth Conference on Interdiscplinary Musicology (CIM08), Thessaloniki, Greece. (download revised 2009 journal publication)
  • Karydis, I., Nanopoulos, A., Papadopoulos, A.N. & Cambouropoulos, E., (2007)
    VISA: The Voice Integration/Segregation Algorithm.
    In Proceedings of the International Conference on Music Information Retrieval (ISMIR07), Vienna, Austria. (PDF)
  • Karydis, I., Nanopoulos, A., Papadopoulos, A.N., Cambouropoulos, E. & Manolopoulos, Y. (2007)
    Horizontal and Vertical Integration/Segregation in Auditory Streaming: A Voice Separation Algorithm for Symbolic Musical Data.
    In Proceedings of the 4th Sound and Music Computing Conference (SMC07), Lefkada, Greece. (PDF)
  • Cambouropoulos, E.,, Crochemore, M., Iliopoulos C.S., Mohamed M. & Sagot M-F. (2007)
    All maximal-pairs in step–leap representation of melodic sequences
    Information Sciences, 177(9):1954-1962. (PDF)
  • Cambouropoulos, E. (2006)
    'Voice' Separation: Theoretical, perceptual and computational perspectives.
    In Proceedings of the 9th International Conference on Music Perception and Cognition (ICMPC), Bologna, Italy. (PDF)
     
  • Καμπουρόπουλος Α. (2006)
    Διαχωρισμός "Φωνών": Μουσικοαναλυτικές, Γνωσιακές και Υπολογιστικές Προσεγγίσεις.
    Πρακτικά του Συμποσίου Μουσικής Θεωρίας και Ανάλυσης, 29 Σεπ - 1 Οκτ., ΑΠΘ, Θεσσαλονίκη. (PDF)
     
  • Dixon, S., Goebl, W.  & Cambouropoulos, E. (2006)
    Perceptual Smoothness of Tempo in Expressively Performed Music.
    Music Perception 23(3):195-214. (PDF)
  • Cambouropoulos E. (2006)
    Musical Parallelism and Melodic Segmentation: A Computational Approach.
    Music Perception 23(3):249-269. (PDF)
     
  • Cambouropoulos E., Crochemore M., Iliopoulos C., Mohamed M. & Sagot M-F. (2005)
    A Pattern Extraction Algorithm for Abstract Melodic Representations that Allow Partial Overlapping of Intervallic Categories.
    In Proceedings of the Sixth International Conference on Music Information Retrieval (ISMIR2005), London. (PDF)
  • Cambouropoulos E. and Tsougras, C. (2004)
    Influence of Musical Similarity on Melodic Segmentation: Representations and Algorithms.
    In Proceedings of the International Conference on Sound and Music Computing (SMC04), Paris, France. (PDF)
  • Cambouropoulos E. and Rolland P.-Y. (2004)
    Algorithmes et Techniques pour l'Analyse Musicale.
    In Informatique Musicale du Signal au Signe Musical, F. Pachet & J.-P. Briot (Eds.) Hermes Science Publications, Paris, France.
  • Cambouropoulos E. (2003)
    Musical Pattern Extraction for Melodic Segmentation.
    In Proceedings of the Fifth Triennial ESCOM conference, Hanover, Germany. (PDF)
     
  • Cambouropoulos E. (2003)
    Review of L.M.Zbikowski's book: "Conceptualizing Music: Cognitive Structure, Theory, and Analysis"
    Music Perception 21(1):135-154. (PDF)
     
  • Cambouropoulos E. (2003)
    Pitch Spelling: A Computational Model.
    Music Perception 20(4):411-430. (PDF)
     
  • Cambouropoulos, E., Crochemore, M., Iliopoulos, C.S., Mouchard, L. and Pinzon, Y.J. (2002)
    Algorithms for Computing Approximate Repetitions in Musical Sequences.
    International Journal of Computer Mathematics, 79(11):1135-1148.
    Earlier version presented at AWOCA99 (PDF)
  • Καμπουρόπουλος Α. (2001)
    Αυτόματη Μελωδική Ανάλυση με Υπολογιστικές Μεθόδους.
    Μουσικός Λόγος 3:64-76  (αρχείο PDF 693KB).
     
  • Cambouropoulos E. (2001)
    The Local Boundary Detection Model (LBDM) and its Application in the Study of Expressive Timing.
    In Proceedings of the International Computer Music Conference (ICMC'2001) 17-22 September, Havana, Cuba. (PDF)
     
  • Cambouropoulos, E., Dixon, S., Goebl, W. and Widmer, G. (2001)
    Human Preferences of Tempo Smoothness.
    In Proceedings of the VII International Symposium on Systematic and Comparative Musicology and III International Conference on Cognitive Musicology, 16-19 August 2001, Jyvaskyla, Finland. (PDF)
     
  • Dixon, S., Goebl, W. and Cambouropoulos, C. (2001)
    Beat Extraction from Expressive Music al Performances.
    In Proceedings of the Meeting of the Society for Music Perception and Cognition (SMPC2001), Kingston, Canada. (PDF)
     
  • Cambouropoulos E. (2001)
    Melodic Cue Abstraction, Similarity and Category Formation: A Formal Model.
    Music Perception 18(3):347-370. (PDF)
     
  • Cambouropoulos E. (2001)
    Automatic Pitch Spelling: From Numbers to Sharps and Flats.
    In Proceedings of the VIII Brazilian Symposium on Computer Music, 31 July - 3 August 2001, Fortaleza, Brasil. (PDF)
     
  • Cambouropoulos, E., Crawford, T. and Iliopoulos, C.S. (2001)
    Pattern Processing in Melodic Sequences: Challenges, Caveats and Prospects.
    Computers and the Humanities, 35(1):9-21
    Earlier version in Proceedings of the AISB'99 Convention, Edinburgh, U.K. (PDF)
     
  • Cambouropoulos E. and Widmer, G. (2000)
    Automated Motivic Analysis via Melodic Clustering.
    Journal of New Music Research 29(4):347-370
    Earlier version in Proceedings of JIM 2000 (Journees d'Informatique Musicale), Bordeaux, France. (PDF)
     
  • Dixon S. and Cambouropoulos E. (2000)
    Beat Tracking with Musical Knowledge.
    In Proceedings of ECAI 2000 (14th European Conference on Artificial Intelligence), W.Horn (ed.), IOS Press, Amsterdam. (PDF)
     
  • Cambouropoulos E. (2000)
    From MIDI to Traditional Musical Notation.
    In Proceedings of the AAAI Workshop on Artificial Intelligence and Music: Towards Formal Models for Composition, Performance and Analysis 30 July - 3 Aug 2000, Austin, Texas. (PDF)
     
  • Cambouropoulos E. (2000)
    Extracting 'Significant' Patterns from Musical Strings: Some Interesting Problems.
    Invited Talk presented at London String Days (LSD2000), 3-4 April 2000, King's College London, U.K. (PDF)
     
  • Cambouropoulos, E., Smaill, A. and Widmer, G. (1999)
    A Clustering Algorithm for Melodic Analysis.
    In Proceedings of the Diderot'99 Forum on Mathematics and Music, Vienna.
     
  • Cambouropoulos, E. (1998)
    Towards a General Computational Theory of Musical Structure.
    PhD Thesis, Faculty of Music and Department of Artificial Intelligence, University of Edinburgh.
     
  • Cambouropoulos, E. (1998)
    Musical Parallelism and Melodic Segmentation.
    In Proceedings of the XII Colloquium of Musical Informatics, Gorizia, Italy.
     
  • Cambouropoulos, E. (1998)
    Music and Computation: Reciprocity, Not Contrariety. (invited talk)
    In Proceedings of the First Symposium in Music and Computers, Corfu, Greece.
     
  • Cambouropoulos, E. (1997)
    The Role of Similarity in Categorisation: Music as a Case Study.
    In Proceedings of the Third Triennial ESCOM Conference, Uppsala, Sweden.
     
  • Cambouropoulos, E. (1997)
    Musical Rhythm: Inferring Accentuation and Metrical Structure from Grouping Structure.
    In Music, Gestalt and Computing - Studies in Systematic and Cognitive Musicology, M. Leman (ed.), Springer-Verlag, Berlin.
     
  • Cambouropoulos, E. and Smaill, A. (1997)
    Similarity and Categorisation Inextricably Bound Together: The Unscramble Machine Learning Algorithm.
    In Proceedings of the Interdisciplinary Workshop on Similarity and Categorisation, University of Edinburgh, Edinburgh.
     
  • Cambouropoulos, E. (1996)
    A Formal Theory for the Discovery of Local Boundaries in a Melodic Surface.
    In Proceedings of the III Journees d' Informatique Musicale, Caen, France.
     
  • Cambouropoulos, E. (1996)
    A General Pitch Interval Representation: Theory and Applications.
    Journal of New Music Research, 25(3):231-251.
     
  • Cambouropoulos, E. and Smaill, A. (1995)
    A Computational Model for the Discovery of Parallel Melodic Passages.
    In Proceedings of the XI Colloquium of Musical Informatics, Bologna, Italy.
     
  • Cambouropoulos, E. (1994)
    Markov Chains as an Aid to Computer-Assisted Composition.
    Musical Praxis 1(1):41-52.