Description
The course presents and analyses the social functions of the recording industry as a system for the production, distribution and consumption of symbolic forms tightly related to the social change, the mediatization and the mediamorphosis of the artistic communication in modern societies. The course focuses on the relations between the music industry, the subcultural identities, and the minority cultures, as well as on its relation with forms of the dominant culture.In this context, the status and the social roles of the musicians, the stratification and the roles of the audiences, the social, cultural and ideological functions of various genres of popular, folk and mass music are discussed. The course explores also the transition of the music industry as a social system during the last decades. These developments are discussed in the context of the broader changes observed in the cultural field.
Special emphasis is placed upon the analysis of the lifestyles related to various musical cultures, as well as upon the interactions between this specific cultural industry and other social institutions.
The course is advanced, as it needs a background offered in courses already taught (history - general and of mass media, theory of mass communication, media economics, sociology of mass communication, social psychology of the mass media).
Objectives
- Understanding the significance of the organization of the cultural production in modern societies, and also the complexities of the interactions between the production of culture and the cultures of production.
- Comprehension of the ways in which the systems for the production, distribution and reception of symbolic forms function in societies where mass communication is dominant.
- To develop a better understanding for the social, political, aesthetic and economic functions of the recording industry as a medium for mass communication.
Textbook
There is not a single textbook in Greek to cover the major part of the course.
Suggested literature
The suggested literature is usually modified and customized through consultations, depending on the topic chosen by the students for each essay and on the current syllabus. The following literature is indicative. Some texts are accessible through the campus net, while others are available in the library:
- Reebee Garofalo (1999), "From Music Publishing to MP3: Music and Industry in the Twentieth Century". American Music, 17(3): 318-353.
- Keith Negus (1999), Music Genres and Corporate Cultures. London, New York: Routledge.
- Simon Frith (2001), "Entertainment". In Mass Media and Society (James Curran, Michael Gurevitch, eds.), pp. 230-253. Athens: Patakis.
- Alexandros Baltzis (2003), "Musical Life and Commodity Relations". In The Value of Music Today. Music Between Humanism and Commercialization, pp. 153-166. Athens: Orfeus Publications/Journal Musicology.
- Nikos Boubaris (2005), "The Music Industry in Transition". In Nikolas Vernicos et al., The Cultural Industries: Processes, Services, Goods, pp. 225-247. Athens: Kritiki.
- David Hesmondhalgh (2005), "Subcultures, Scenes or Tribes? None of the Above". Journal of Youth Studies, 8(1): 21-40.
- Dick Hebdige (1988), Sub-Culture: The Meaning of Style. Athens: Gnossi.
- Tak Wing Chan & John H. Goldthorpe (2007), "Social Stratification and Cultural Consumption: Music in England". European Sociological Review, 23(1): 1-19.
- Marsha Siefert (1994), "The Audience at Home: The Early Recording Industry and the Marketing of Musical Taste". In Audiencemaking: How the Media Create the Audience (James S. Ettema & D. Charles Whitney, eds.), pp. 186-214. Thousand Oaks, London, New Delhi: SAGE Publications.
- Theodor Adorno, Georges Simpson (1991), "On Popular Music". In Three Texts on Music Sociology (T. Adorno), pp. 63-89. Athens: Prisma.
- Savas Patsalidis (2000), "The Rap Music and the Ideology of Violence and Resistance". Musicology, 12-13, pp. 189-205.
- Wilfred Dolfsma (2004), "Consuming Pop Music/Constructing a Life World. The Advent of Pop Music". International Journal of Cultural Studies, 7(4): 421-440.
- John Markert (2001), "Sing a Song of Drug Use-Abuse: Four Decades of Drug Lyrics in Popular Music - From the Sixties through the Nineties". Sociological Inquiry, 71(2): 194-220.
- Ron Eyerman (2002), "Music in Movement: Cultural Politics and Old and New Social Movements". Qualitative Sociology, 25(3): 443-458.
