MUSICOLOGICAL PUBLICATIONS
Books
Tsougras, Costas (2003). "Yannis Constaninidis' 44 Greek miniatures for piano: Analysis with the use of the Generative Theory of Tonal Music". Thessaloniki, University Studio Press. [in Greek, with abstract in English]
The book is the publication of the PhD dissertation "Generative Theory of Tonal Music and Modality: Research based on the analysis of '44 Greek miniatures for piano' by Yannis Constantinidis" (2002) submitted to the School of Music, Faculty of Fine Arts, Aristotle University of Thessaloniki (supervisor: Dr Demetre Yannou), downloadable from http://www.didaktorika.gr/eadd/handle/10442/20223. It is the first volume of the series "Library of Musicology".
Publications in musicological journals
Tsougras, C. (1999). "A GTTM Analysis of Manolis Kalomiris’ ‘Chant du Soir’". International Journal of Computing Anticipatory Systems (D. Dubois, ed.), vol. 4, p. 301-311.
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Tsougras, C. (2003). "Modal Pitch Space - a theoretical and analytical study". Musicae Scientiae, vol. 7, nr. 1, p. 57-88.
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Tsougras, C. (2006). "The harmonization of Greek folk songs by M. Ravel and Y. Constantinidis: A comparative study of the works and their relation to the national music schools". Polyphonia, vol. 9, p. 50-66 [in Greek].
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Cambouropoulos, E. & Tsougras, C. (2009). "Auditory Streams in Ligeti's Continuum: A Theoretical and Perceptual Approach". Journal of Interdisciplinary Music Studies (JIMS), vol. 3, p. 119-137.
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Tsougras, C. (2010). "The application of GTTM on 20th century modal music: Research based on the analysis of Yannis Constantinidis's 44 Greek miniatures for piano". Musicae Scientiae, Discussion Forum 5 [GTTM 25 years on], p. 157-194.
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Tsougras, C. (2011). "Nikos Skalkottas' Passacaglia for solo piano: Tradition and innovation in equilibrium". Polyphonia, vol. 18, p. 7-28 [in Greek].
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Tsougras, C. (2012). "Elements of Greek folk music in Nikos Skalkottas' Mayday Spell - A symbolic mixing of diatonicism and chromaticism". Polyphonia, vol. 20, p. 87-108 [in Greek].
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Tsougras, C. (2012). "Chromatic third relations, symmetrical octave division and paths in Pitch Space: Analytical study of Franz Liszt's Il Penseroso". Quaderni del' Istituto Liszt, vol. 12, p. 91-122.
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Tsougras, C. (2015). "Music and language - A interdisciplinary overview of a multi-dimensional correlation". Musicología, vol. 22 [in Greek]
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Kaliakatsos-Papakostas, M., Makris, D., Tsougras, C., Cambouropoulos, E. (2016). "Learning and Creating Novel Harmonies in Diverse Musical Idioms: An Adaptive Modular Melodic Harmonisation System". Journal of Creative Music Systems, vol. 1, issue 1. [http://jcms.org.uk]
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Chapters in collective volumes
Tsougras, C. (2008). "Functional Harmony: An introduction to its theoretical background and its notation". In School Music Education: Issues of Planning, Methodology and Application, Greek Society for Music Education (GSME), Thessaloniki, p. 207-216 [in Greek].
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Tsougras, C. (2010). "Modality in European Music of the 20th century". In Music (and) Theory, Department of Folk and Traditional Music, Arta, p. 72-91 [in Greek].
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Tsougras, C. (2015). "Liaropoulos, Panayiotis"; "Nikitas, Kostas"; "Paraskevas, Apostolos". New entries in Grove Music Online. New York, Oxford University Press. [www.oxfordmusiconline.com]
Tsougras, C. (2015). "Ioannidis, Yannis"; "Vlachopoulos, Yannis". Updated entries in Grove Music Online (initial entries by G. Leotsakos). New York, Oxford University Press. [www.oxfordmusiconline.com]
Kaliakatsos-Papakostas, M., Zacharakis, A., Tsougras, C., Cambouropoulos, E. (2016). "Modelling Cadence Perception Via Musical Parameter Tuning to Perceptual Data". In Artificial Intelligence Applications and Innovations (Iliadis, L. and Maglogiannis, I., eds), Springer, pp. 552-561.
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Kaliakatsos-Papakostas, M., Makris, D., Zacharakis, A., Tsougras, C., and Cambouropoulos, E. (2016). "Learning and Blending Harmonies in the Context of a Melodic Harmonisation Assistant". In Artificial Intelligence Applications and Innovations (Iliadis, L. and Maglogiannis, I., eds), Springer, pp. 520-527.
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Publications in conference proceedings
Tsougras, C. (2000). "Exploitation of the MIDI studio - The 'musicality' of MIDI performance". Proceedings from the 2nd conference of the Greek Society for Music Education. Music Education, vol. 2/7, p. 77-85 [in Greek].
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Tsougras, C. (2000). "Expansion of the 'Tonal Pitch Space' cognitive model towards the Diatonic Modal System. Mathematical and geometrical representation". Proceedings of the 2nd Symposium on Musical Informatics (Corfu, 9-10 December 2000), p. 161-171 [in Greek].
Tsougras, C. (2002). "The role of musical analysis in composition teaching". Proceedings from the 2nd conference of the Greek Society for Music Education. Music Education, vol. 4/11, p. 262-271 [in Greek].
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Tsougras, C. (2002). "Modal Pitch Space". Proceedings from the ESCOM conference on Musical Creativity (Liège, 5-8 April 2002), I. Deliège (ed), University of Liège [published on CD-ROM].
Cambouropoulos, E. & Tsougras, C. (2004). "Influence of musical similarity on melodic segmentation: representations and algorithms". Proceedings from Sound and Music Computing (SMC 2004) Conference (13-22 October, IRCAM, Paris), p. 147-152.
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Tsougras, C. (2005). "Yannis A. Papaioannou as a teacher - A creative approach to tonal harmony teaching". Proceedings of the 4th GSME Conference, p. 163-176 [in Greek].
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Tsougras, C. (2005). "Analysis of Iannis Xenakis's Pour la Paix for a cappella mixed choir". Proceedings of the International Symposium Iannis Xenakis (Athens, 18-20 May 2005), p. 161-168. Also, selected for publication at the Definitive Proceedings of the “International Symposium Iannis Xenakis” (Athens, May 2005), M. Solomos, A. Georgaki, G. Zervos (eds.), www.iannis-xenakis.org.
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Tsougras, C. (2006). "Chromatic third relations and symmetrical division of the octave: Theoretical approach and analytical application on the harmonic structure of Franz Liszt's Il Penseroso". Proceedings from the symposium "Music Theory and Analysis - Methodology and Practice" (Thessaloniki, 29 Sept.-1 Oct. 2006). School of Music Studies, A.U.Th, p. 129-139 [in Greek].
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Tsougras, C. (2007). "Yannis Constantinidis's 44 Greek miniatures as an educational model for a compositional approach to the style of the Greek National School". Proceedings of the 5th GSME conference, p. 66-80 [in Greek].
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Tsougras, C. (2008). "The hellenism of Nikos Skalkottas's music: an 'national' or 'universal' composer?". Proceedings of the conference on "Greek Art Music: Tradition and Globalization" (Athens, April 2007), p. 19-25 [published in CD-ROM and at the Greek Composers' Union website: http://www.eem.org.gr].
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Alexandru, M. & Tsougras, C. (2008). "On the Methodology of Structural Analysis in Byzantine and Classical Western Music - A Comparison". Proceedings from the 4th Conference on Interdisciplinary Musicology CIM08 (Thessaloniki, 3-6 July 2008) [published on CD-ROM and at the conference's webpage: http://cim08.web.auth.gr].
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Cambouropoulos, E. & Tsougras, Costas (2008). "Auditory Streams in Ligeti's Continuum: A theoretical and perceptual study". Proceedings from the 4th Conference on Interdisciplinary Musicology CIM08 (Thessaloniki, 3-6 July 2008) [published on CD-ROM and at the conference's webpage: http://cim08.web.auth.gr].
Tsougras, C. (2009). "Analysis of Early 20th-century Chromatic Modal Music with the use of the Generative Theory of Tonal Music - Pitch Space and Prolongational issues in selected Modal Idioms". Proceedings of the 7th Triennial Conference of the European Society for the Cognitive Sciences of Music, (12-16 August 2009, Jyväskylä, Finland), J. Louhivuori, T. Eerola, S. Saarikallio, T. Himberg, P. Eerola (eds), p. 531-539.
[https://jyx.jyu.fi/dspace/bitstream/handle/123456789/20927/urn_nbn_fi_jyu-2009411327.pdf]
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Tsougras, C. (2010). "Elements of international avant-gardism, European post-modernism and Greek-byzantine individuality in Three Idiomela and Five Cavafy Poems by Arghyris Kounadis". Proceedings of the International Conference Beyond the Centres: Musical Avant-gardes since 1950 (Thessaloniki, 1-3 July 2010). School of Music Studies, Aristotle University of Thessaloniki.
[http://btc.web.auth.gr]
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Tsougras, C. (2011). "Analysis of Dimitris Mitropoulos' 'Piano Piece I' (Klavierstück I)". Proceedings from the conference: "Dimitris Mitropoulos (1896-1960): fifty years after". (Athens Concert Hall, 12-13 November 2010). Athens: Edition Orpheus, p. 99-113.
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Tsougras, C. (2011). "Paths in Pitch Space: Harmonic and melodic structure in Frédéric Chopin's piano preludes nr 1 and 2 from op. 28". Proceedings from the conference: "Three eras - four anniversaries: Pergolesi, Chopin, Schumann, Barber" (Thessaloniki, 26-27 November 2010). School of Music Studies, University of Athens, p. 100-116 [in Greek].
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Tsougras, C. (2011). "Varied repetition as a technique of form expansion in works of Joseph Haydn – A connection between Heinrich Christoph Koch educational model and 18th century music". Proceedings from the Conference: "Purcell, Händel, Haydn, Mendelssohn: four anniversaries", G. Sakallieros & I. Foulias (eds.). University Studio Press, Thessaloniki, p. 173-192 [in Greek].
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Tsougras, C. (2012). "Olivier Messiaen as a Teacher of Harmony and Stylistic Composition - An educational Study of Vingt Lecons d'Harmonie". Proceedings of the Conference "Olivier Messiaen: 100 years from his birth" (Athens, 19-20 December 2008), G. Vlastos (ed.), School of Music Studies, University of Athens, p. 136-155 [in Greek].
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Koniari, D. & Tsougras, C. (2012). "The Cognition of Grouping Structure in Real-time Listening of Music. A GTTM-based Empirical Research on 6 and 8-year-old Children". Proceedings of the Joint 12th ICMPC - 8th ESCOM Conference, 23-28 July 2012, Thessaloniki (E. Cambouropoulos, C. Tsougras, P. Mavromatis, K. Pastiadis, eds), p. 542-546.
[http://icmpc-escom2012.web.auth.gr]
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Diminakis, N. & Tsougras, C. (2012). "Timbral & Textural Evolution as Determinant Factors of Auditory Streaming Segregation in Christian Lauba's Stan". Proceedings of the Joint 12th ICMPC - 8th ESCOM Conference, 23-28 July 2012, Thessaloniki (E. Cambouropoulos, C. Tsougras, P. Mavromatis, K. Pastiadis, eds), p. 254-262.
[http://icmpc-escom2012.web.auth.gr]
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Tsougras, C. (2012). "Musical Expectation and paths in Tonal Pitch Space - Integration of concepts/models and an application on the analysis of Chopin' s Prelude in A minor". Paper presented at the Joint 12th ICMPC - 8th ESCOM Conference, 23-28 July 2012, Thessaloniki, Greece
[abstract in the conference proceedings at: http://icmpc-escom2012.web.auth.gr]
Tsougras, Costas (2013). "Y. A. Papaioannou's educational corpus – A creative approach to tonal composition teaching". Proceedings of the International Musicological Conference Crossroads - Greece as an intercultural pole of musical thought and creativity (Thessaloniki, 6-10 June 2011). School of Music Studies, Aristotle University of Thessaloniki & IMS Regional Association for the study of music on the Balkans, Thessaloniki, p. 109-131.
[http://crossroads.mus.auth.gr]
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Cambouropoulos, E., Katsiavalos, A., Tsougras, C. (2013). "Idiom-independent harmonic pattern recognition based on a novel chord transition representation". In P. van Kranenburg, C. Anagnostopoulou, A. Volk (eds), Proceedings of the Third International Workshop on Folk Music Analysis (FMA2013, 6-7 June, 2013 Amsterdam, Netherlands), p. 14-20. Amsterdam: Meertens Institute & Utrecht: Department of Information and Computing Sciences, Utrecht University.
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Tsougras, C. (2014). "Nikos Skalkottas's Thema con Variazioni (thème grec populaire) from Suite for Piano no. 3 - An analytical and compositional approach". Proceedings from the international conference The National Element in Music (School of Music Studies, Athens University, 18-20 January 2013), p. 267-287.
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Kaliakatsios-Papakostas, M., Katsiavalos, A., Tsougras, C., Cambouropoulos, E. (2014). "Harmony In The Polyphonic Songs Of Epirus: Representation, Statistical Analysis And Generation". In A. Holzapfel (ed), Proceedings of the Fourth International Workshop on Folk Music Analysis (FMA2014, 12 and 13 June, 2014 Istanbul, Turkey). Istanbul: Bogaziçi University, p. 21-28.
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Cambouropoulos, E., Kaliakatsos-Papakostas, M., Tsougras, C. (2014). "An Idiom-independent Representation of Chords for Computational Music Analysis and Generation". In Proceedings of the 40th International Computer Music Conference - 11th Sound and Music Computing Conference (ICMC40-SMC11, 14-20 September, Athens), p. 1002-1009.
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Cambouropoulos, E., Kaliakatsos-Papakostas, M., Tsougras, C. (2015). "Structural Blending of Harmonic Spaces: A Computational Approach". In Proceedings of the 9th ESCOM Conference (17-22 August, Manchester, UK).
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Tsougras, C., Stefanou, D., (2015). "Conceptual Blending and Meaning Construction: A Structural/hermeneutical Analysis of the ‘Old Castle’ from Musorgsky's ‘Pictures at an Exhibition’". In Proceedings of the 9th ESCOM Conference (17-22 August, Manchester, UK).
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Kaliakatsos-Papakostas, M., Zacharakis, A., Tsougras, C., Cambouropoulos, E. (2015). "Evaluating The General Chord Type Representation In Tonal Music And Organising GCT Chord Labels In Functional Chord Categories". Proceedings of the 16th International Society for Music Information Retrieval Conference (ISMIR 2015, 26-30 October, Malaga, Spain), University of Malaga.
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Tsougras, C. (2016). "Theme & Variations form in Skalkottas's music: Analysis of “Kurze Variationen auf ein Bergsthema” from the “32 Pieces for Piano”". In Proceedings of the 7th Conference of the Greek Musicological Society (30/10-1/11 2015, Corfu), p. 35-50 [in Greek].
[http://musicology.mus.auth.gr/wp-content/uploads/2016/11/ConfProc2015.pdf]
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